Brian Kirk

A Journey of the Imagination

Contract Signed for Second Novel

Friends! Good news. Now that the contract is signed, I’m happy to say that I have sold my second novel (3rd written) to acclaimed editor Don D’Auria at his new publishing imprint, Flame Tree Press. It’s been a long and winding road between books (a story I’ll soon tell), but I’m happy where it wound up.

The book’s title is a secret for now, though it is due out early next year in all formats. Here are a couple of snippets from two terrific authors who got an early look.

“…a tour-de-force of psychological suspense and terror. It scared the hell out of me.”
–Lisa Mannetti, Bram Stoker Award winner and Shirley Jackson Award finalist, author of THE BOX JUMPER

“Open this book carefully. It might be the last thing you do.”
–Stephanie M. Wytovich, author of The Eighth.

This one’s going to strike a nerve. Stay tuned.

Submerged Beneath the Lake… Again

I was honored to be a guest, once again, on the tenth episode of Crystal Lake Publishing’s Beneath the Lake Podcast to provide some commentary on their latest anthology, Behold! Oddities, Curiosities, and Undefinable Wonders, which includes my story “Wildflower, Cactus, Rose.” Here I provide a little insight into what inspired the story and how it came to be.

The podcast was hosted by author, Todd Keisling, who is one of Crystal Lake Publishing’s rising stars and, along with me, featured the following guests:

Doug Murano, editor of Behold! and other critically acclaimed anthologies, including Shadows Over Mainstream Vol. 1 & 2, and Gutted Beautiful Horror Stories, which was nominated for a Bram Stoker Award last year for best anthology.

Author Erinn L. Kemper who lives on the Caribbean coast in Costa Rica where she writes, runs with her dog on the beach, and drinks ridiculous amounts of coffee, at least until happy hour. Erinn has sold stories to Cemetery Dance magazine, Dark Discoveries and Black Static, and appears in various anthologies including You, Human, Shadows Over Main Street Volume 2, and Chiral Mad 3. Visit her website at for updates and sloth sightings.

And author Richard Thomas, who is the award-winning author of seven books—Disintegration and Breaker (Random House Alibi), Transubstantiate, Staring Into the Abyss, Herniated Roots, Tribulations, and The Soul Standard (Dzanc Books). His over 100 stories in print include Cemetery Dance, PANK, storySouth, Gargoyle, Weird Fiction Review, Midwestern Gothic, Arcadia, Qualia Nous, Chiral Mad 2 and 3, and Shivers VI. He is also the editor of four anthologies: The New Black and the Shirley Jackson-nominated Exigencies (Dark House Press), The Lineup: 20 Provocative Women Writers (Black Lawrence Press) and the Bram Stoker Award®-nominated Burnt Tongues (Medallion Press) with Chuck Palahniuk. In his spare time he writes for LitReactor and is editor-in-chief at Gamut Magazine. For more information visit

This was my second time being a guest on this podcast. The first time was to talk about my contribution in Gutted Beautiful Horror Stories, and that episode can be viewed HERE.

Thanks for checking it out. Hope you enjoy it.

The New Video Trailer for Behold!

The team at Crystal Lake Publishing has produced a video trailer for Behold: Oddities, Curiosities, and Undefinable Wonders that captures the quirky personality of the book.

Not only does this anthology contain my latest story, “Wildflower, Cactus, Rose,” it features fiction from some of the most exciting contemporary authors, including Neil Gaiman, Clive Barker, Ramsey Campbell, Lisa Morton, Lucy A. Snyder, and more, with a forward by Josh Malerman.

Thanks, I’m excited about this one. I hope you’ll check it out.

Artwork Reveal for “Wildflower, Cactus, Rose”

The artwork for my upcoming story “Wildflower, Cactus, Rose” was released yesterday, and it is stunning. It captures the defiant attitude of the mother in the story, who is working to establish a new self identity after a botched surgery leaves her disfigured.

Many thanks to Luke Spooner at Carrion House for creating such a striking work of art. The story will appear in Behold: Oddities, Curiosities and Undefinable Wonders, which includes stories by Clive Barker, Neil Gaiman, Ramsey Campbell, Lucy A. Snyder, John F.D. Taff, Richard Thomas, Patrick Freivald, Kristi Demeester, Erinn Kemper, and more, including a forward by Josh Malerman. Look for the book’s release on July 28.

Deep End Interview With Crystal Lake Publishing

Crystal Lake Publishing

The fine folks at Crystal Lake Publishing were kind enough to conduct this in-depth interview with me, where we cover everything from my prior con artist step-father (whom I hope is now doing well) to my aspirations as an author.

CLICK HERE to enjoy.

New Story Announcement

I am thrilled to announce that my latest story has been accepted for publication in a strange and exciting new anthology: Behold! Oddities, Curiosities and Undefinable Wonders.


The anthology, edited by Doug Murano, is scheduled to be released through Crystal Lake Publishing on July 24, 2017. While the table-of-contents is still underway, some major names have already been announced, including: Ramsey Campbell, Clive Barker, John F.D. Taff, Kristi DeMeester, Erinn Kemper, and Patrick Freivald. I’ll update as new authors are added.

My story “Wildflower, Cactus, Rose,” is a quirky, and thought-provoking, tale featuring extreme surgery, weaponized beauty, and how self-image shapes the world we see. I can’t wait for its release.

Follow the anthology Facebook page for further news and updates.

“Picking Splinters” Makes the HWA 2016 Reading List

I was pleased to learn that my short story “Picking Splinters From a Sex Slave,” published in the acclaimed Gutted: Beautiful Horror Stories anthology, made the 2016 Horror Writer’s Association Recommended Reading List. This list comprises all of the work that was recommended for a Bram Stoker Award® by HWA members.

This story has received quite a bit of praise from industry critics and readers alike, several calling it the strongest in a collection that includes some of my literary idols, such as Neil Gaiman and Clive Barker. Following are some of the things critics have said.

Picking Splinters

Story Illustration by Luke Spooner

“‘Picking Splinters From A Sex Slave’, pulled me/led me/dared me back to the wave of fear and awe and wonder I had upon my initial encounter with words so perfectly placed as to seem alive and moving across the page. In Kirk’s scant few pages of prose, I placed the book down at least four times: to recover, to reflect, to feel. To get it.”
-Unofficial Alan Moore

“Picking Splinters from a Sex Slave by Brian Kirk really sets the tone for this collection. It’s one of the darkest, saddest stories I have ever read, with the father’s inappropriate humor putting a perfect edge on the drama.”
-Beauty In Ruins

“Which leads into what I think is the best story in the book: Brian Kirk’s “Picking Splinters From a Sex Slave”. A story that illustrates what lengths a person might go to to accommodate a loved one, in exquisite detail. The actual tableau is revolting, but the internal logic is inescapable. The tone is perfect.”
-Retrograde A

“One of the strongest stories in the collection, “Picking Splinters from a Sex Slave” by Brian Kirk. Kirk’s portrayal of a father desperate to help his daughter is at once alarming and moving, leaving you with a lingering disquiet.”
-Eden Royce

“Brian Kirk’s “Picking Splinters from A Sex Slave” kicked me upside the head, leaving me truly considering the lengths I would travel to help my own daughter.”
-Bleeding Cool

While making the recommended reading list does not ensure an eventual nomination for the Bram Stoker Award®, it’s still an honor, and I’m grateful to know that this story has made such an impact on readers.

Pick up a copy of Gutted: Beautiful Horror Stories if you’d like to check it out.


My Favorite Reads of 2016

My reading habits are all over the place. I’ll read modern lit, eastern religion, psychological horror, and old westerns in the same month. Mix them up in my psyche like some mystical stew.

Rarely do I read books the year in which they’re released, so my “Best of the Year” lists are misleading. I do, however, enjoy sharing the books that I found particularly enjoyable in a given year, even if some of the titles have been around for decades or more. I’ve missed them up until now, so maybe someone else has as well.

With that said, following are my ten favorite reads from 2016, listed in alphabetical order. I hope you enjoy them as much as I did.

I’d love to see what you’re reading. Please post your favorites in the comments, or friend me on Goodreads so we can exchange recommendations. Here’s to another year of great literature in 2017!

A Brief Introduction

Hi, and thanks for visiting my site. I wanted to provide a brief introduction to anyone who may be visiting for the first time.

I am a Bram Stoker Award-nominated author of dark thrillers and psychological suspense. My debut novel, We Are Monsters, was nominated for a Bram Stoker Award for Superior Achievement in a First novel, and has received the following praise from authors and industry critics. Film rights for a movie adaptation were purchased by Executive Producer, Jason Shuman.

My short fiction has been published in many notable magazines and anthologies, most recently Gutted: Beautiful Horror Stories, where professional critics have called my story the strongest among an all-star cast that includes multiple New York Times bestselling authors.

I am currently preparing to pitch two novels:

  1. A new psychological horror novel that casts the reader as a protagonist in a frightening urban legend.
  2. The first novel in a trilogy of dark sci-fi thrillers that integrates virtual reality technology into the story experience.

Please contact me to discuss a project, or just to chat. Thanks for stopping by.

{GUEST POST} Top Ten Comedic Horror Flicks by Stuart West

I’m a big fan of comedic horror. I lean towards dark humor over slapstick antics, but have always felt that humor offers the perfect counterpoint to horror, the two going together like anchovies and parmesan cheese (or whatever flavor combination works for you).

Author Stuart West walks the tightrope between horror and dark comedy in his fiction, and was gracious enough to offer a list of his favorite comedic horror films to check out this Halloween.

He asks for recommendations at the end, so I’ll go ahead and give mine:


Man Bites Dog. A mockumentary about a film crew that follows a serial killer and becomes increasingly entangled in his horrific crimes. You’ll feel bad for laughing, which is what I love about it.

Now I’ll turn it over to Stuart, and his stellar list of humorous horror. Thanks for sharing, Stuart!


Hey, whaddaya know, another movie list. First, a couple disclaimers: this isn’t a definitive list. After all, it’s a subjective opinion and what do I know anyway? Plus, my lists tend to change like the wind, fickle cinephile that I am. Second, even though this is a post about (intentionally) amusing horror films, very few on the list are straight-up comedies. A very important distinction. While I think Young Frankenstein is a classic, it doesn’t belong on my list as the film’s first intent is to make audiences laugh.

As in my horror novels, a lot of humor sneaks into the books, just can’t be helped (shameless plug time: Demon with a Comb-Over; Zombie Rapture; Neighborhood Watch; Godland; The Killers Incorporated trilogy; lots more). Horror and humor’s a tricky balancing act, though, one that can easily teeter into stupid Scary Movie territory if not careful. Am I successful in my books? I dunno. You guys be the judge. But in my opinion, all of the movies on my list succeed quite well. Horror should always come first, humor a nice little accent. It’s hard for me—as a viewer or reader—to give a damn about the story if the story, first and foremost, doesn’t matter. There needs to be true matters at stake, real heart, consequences for better or worse (usually worse where horror’s involved).

Okay, enough pretentiousness! Let’s roll…


Abbot and Costello Meet Frankenstein. And, right off the bat, I’m negating my rule. This is a comedy. But one of the best things about it is the horror elements truly work. Lots of my love for this film is unabashed nostalgia as it was one of the first horror flicks I saw as a child. But it holds up. I broke my daughter in on it one Halloween night. Watching Lou, clueless and addled, freak out while the Frankenstein monster is unknowingly behind him is a great sequence, poised perfectly between hilarity and horror.


American Werewolf in London. Regardless of what I think of director John Landis as a human being (the Twilight Zone movie tragedy), he pulled off a remarkable feat with this feature. It’s an impressive cinematic accomplishment as Landis effortlessly segues between true horror, laugh-out loud humor and devastating pathos. Any of those genres are hard to singly pull off, let alone blend them together successfully. Landis tried to duplicate his success, but his other horror comedies failed to reach Werewolf’s heights. Plus Werewolf was one of the first flicks to utilize cool bladder/transformation effects, eat it CGI! (1981 was a stellar year for classic werewolf comedies; Joe Dante’s The Howling gets a close runner’s up.)


American Zombie. Here’s the dark horse on my list. No one’s seen it. Grace Lee (a documentary filmmaker) has accomplished something extraordinary with this film. The narrative unfolds as a documentary detailing the average-Joe lives of several zombies. I won’t belittle the movie by labeling it as a “mockumentary”; it’s too smart for that. But it skewers many current topics in its satirical aim and by corky, if it doesn’t get creepy by the end. (I’ve been trying to contact Grace Lee to interview her for my blog,–I’ve got a zillion questions to ask her–but she’s playing hard to get.)


Dead Alive. Before Peter Jackson became king of the Shire, he was making deeply personal, low-budgeted, highly irreverent horror comedies, Dead Alive his best, if for no other reason than the sheer blood-spattered insanity. Yes, it’s gory as all get out, but Jackson’s humor makes it highly palatable. It’s hard to forget the image of a guy lawn-mowing his way through a horde of the undead.


Basket Case. Oh, Frank Henenlotter, how I love your movies. Not really a good movie by any stretch, it’s still one of the most entertaining on the list. Poorly acted, darkly shot and completely unforgettable, Henenlotter’s tragedy of a pair of twins (one disturbed, the other deformed and disturbed) works on a purely visceral level. Remarkably, the film makes you care about the twins, sick humor and all. Henenlotter followed this with two inferior sequels (heavier on the in-your-face humor) and the equally as good Brain Damage. I’m still trying to figure out what I think of Henenlotter’s Bad Biology, though.


What We Do in the Shadows. Okay, again, this movie’s first and foremost a comedy. But it works. Another “documentary,” this time detailing the mundane lives of several vampires sharing an apartment. Probably the funniest film on the list, it has many laugh out loud moments, yet takes thoughtful care in the characterization of the leads. One of my favorite films of the year. Or any year, maybe.


Frenzy. Okay, it’s Hitchcock time! Is Frenzy a horror film? Maybe. Is it a comedy? Kinda. But, hey, for me it works as both. Hitchcock’s black humor (the best kind!) is in ample evidence. The scene where the killer’s in the back of a potato truck trying to retrieve a piece of incriminating evidence from his most recent victim is a stellar sequence poised between breathtaking suspense and dark comedy. And the long-suffering lead inspector’s meal-time nightmares with his culinary experimenting wife are superb.


Zombieland. A very well done horror film that never lets the often uproarious humor get in the way of its story. Well-acted, imaginative, inventive, it’s the perfect Halloween movie. I even got my wife to watch it and she hates horror. (She still hasn’t forgiven me for The Babadook. “Honey, it’s an art film…”). I was torn between giving Shaun of the Dead, another very funny and effective zombie tale, this spot. But Zombieland edged it out. Watch ‘em both.


Slither. I love this movie. In many ways, James Gunn’s opus is an old-fashioned, fright night thriller. Yet the humor is very modern. And the cast is awesome. Who doesn’t like Nathan Fillion? The movie isn’t afraid to splatter up the set, but Gunn balances it with nicely realized amusing moments.


Spider Baby. How in the world do you categorize this 1967 messterpiece? I know I can’t. David Lynch before David Lynch was cool, the outlandish tale about a family of lunatics unspools at a straight-faced, fast pace. Great character actor Sid Haig headlines and poor Lon Chaney, Jr. drunkenly warbles the theme song. For the time in which it was made, the movie takes a fascinatingly nonchalant attitude towards the casual violence, just another day in the life of the Merrye’s. It just rolls. Sublime.

There you go, gang. My current list. It’ll probably change tomorrow, it always does. SO many other films I can now think of belong on the list (hello, Evil Dead 2), but that’s for another time. Heck, I could really rip it out and have tons of fun with a list of my favorite UNintentionally hilarious horror films. What say you, Brian?

Thanks, Brian, for letting me blather on, a fitting topic for the scariest time of the year. While I’m at it, three of my horror novels just came out in paperback. Get ‘em all! Giggle uncomfortably while you hide from the mysterious, unnatural shadows! Hyperbole! Zombie Rapture; Neighborhood Watch; Godland.

zombie neighborhood godland

Don’t forget Demon with a Comb-Over and the serial killer black comedy trilogy, Killers Incorporated.

demon killers

Twisted Tales from Tornado Alley’s always open, too, for knee-jerk reactions, ludicrous screaming and horror and hugs. (By the way, my first horror short story collection will be out soon under the same name).

Think I’m done plugging now, Brian.

Anyone else have any movies to recommend that I haven’t seen?

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